Introducing the Dynacord CMS 2200-3 mixer
This product is the latest version of Dynacord's powerless mixers and features 22 input lines. This means that, as standard on the mixer, you will be able to connect 22 microphones to the mixer at the same time.
It can almost be said that this model is one of the best analog mixers that almost meets the needs you have of an analog mixer. In my opinion, if this mixer cannot meet your needs, you should go to digital mixers and use them.
It also has two digital effects made up of two completely separate circuits, each of which has 100 predefined effect templates and of course can be edited.
This device also gives you the ability to program 20 effect patterns separately on the device.
This device has an 11-band stereo equalizer and four inputs via a USB connector.
The only advantage of this product over the Dynacord CMS 1600-3 mixer and the Dynacord CMS 1000-3 mixer is the presence of multiple input lines.
And in this product there is not much difference from the two previous versions.
This product is usually not very popular in Iran because for very professional recording jobs, digital mixers or analog mixers are used with the exception of Dynacord, and for ordinary jobs such as mourning ceremonies and delegations, there are so many input lines (Line ) is useless unless you use these lines to receive signals from ceiling microphones.
However, as far as I know, this device is not very useful, Dynacord mixers are usually used to give sound effects, because with these devices you can easily adjust the live sound effect.
You can do the same with Maidas mixers, but not simply with Dynacord mixers.
Other specifications
22‑channel compact mixing system
- Intuitive mixer with 22 input channels (18 Mic/Line + 4 Mic/Stereo-Line)
- 2 High-Quality editable effects, 100 factory and 20 user presets
- Professional 4×4 24-bit / 96 kHz USB interface with MIDI
- 11 band stereo graphic equalizer
The Compact Mixing System from DYNACORD has seized pole position in this segment of the market by virtue of the quality of its sound, components and features. By integrating a high-quality mixer, two digital effects processors of studio grade, a graphic equalizer and also a professional digital interface to PC or Mac, the CMS mixers represent the ideal solution for a large number of demanding applications in the audio sector.
The mixing section starts with 22 lowest noise, discrete microphone preamps. 6 auxiliary busses, two of them switchable pre/post fader, allow high flexibility for monitoring. The two effects processors offer 100 factory presets, including the already legendary PowerMate-reverbs. A TAP key allows precise setting of delay times. Further, each preset can be edited and stored to 20 User memories.
The built in uncompromising USB audio interface shares 4 playback and 4 recording channels simultaneously with a PC or Mac, following studio standard 24-bit / 96 kHz. An additional MIDI interface allows integration of instruments, such as keyboards. A license for Steinbergs Cubase software is part of the package.
The 11 band stereo graphic equalizer can be routed flexible to master or monitor channels.
For dark environments an optional gooseneck light can be connected. All faders are dust protected and not least the balanced XLR outputs for master and monitor underline the professional approach.
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